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Alyosha

by Joshua Powell

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    Alyosha CD.

    Featuring original jacket art by Indiana-based artist Kyle Boyer and in Joshua's handwriting.

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1.
I saw you with a boy/I saw the crowded real estate beneath his denim And I was in the right/so I wrote it in a bill and paid all the right people to plant a seed I’ve got the coordinates/that’s all they need While you were holding hands/the backroom wizards loaded more than six into my chamber As you looked me in the lens, you said, “Do what you have to do and do it quickly.” I thought you clever to quote our Lord, but there is no Peter in the garden with a sword Now I know what you are, (droning on, droning on) Love travels far but modern bullets travel farther Well Marty had it wrong/I’m safe behind these walls of burnished pedigree I’ll never hang tonight/already paid the flight with the tax dollars in my pocket Honey, there is nothing you can do to stop it Now I know what you are, (droning on, droning on) Love travels far but modern bullets travel farther
 Modern bullets travel faster Modern bullets travel far
2.
Petrichor 05:04
All/grand mal epileptic sex Auras in your orangeade Secondhand weathervane Pedestrian magic Lore/petrichor Catch the devil (catch the devil) Do, in silver dew Twist the twigs into a trap/step back Lay her body down/into the sugarcane The foxes run, the day is done The day is done The flowers speak/winter wheat antique Superimposing oceans The day is done Still/roadkill, signposts Southern in your sigh Low, I get alone And suddenly all my thoughts seem worth speaking
3.
This far north, the air is not without a set of teeth for cutting through your clothes The spirits of the lusher trees are steadily canvassing the cliffs They’re at the cabin door It’s not all bad to be alone It’s not all bad to be alone From the lip of the cave of clouds, casting mountains in the sea to watch the ripple moon We disregard the sinking sounds anymore, pretty little creatures that we are It’s not all bad to be alone It’s not all bad to be alone
4.
Kentucky snow/and my bones are fairly shaken in the winter and its waking on the land I’m cultivating and I watch a detonation of crows Out of the dogwood/where the leaves all quit attempting and the witchhazel is empty just like everything is dead exempting me, out in the cold And there he lay/like the devil was a cropper on my family’s farming proper, tiny bones and head of copper in the loam shivering to death He wasn’t moving, and I knew the antidote pity rose up in my throat, and so I put him in my coat to get him warm and carry him back home Well why should I oversimplify? It’s good to be alive So logically, all living things are good if not misunderstood and I will not play God, arbitrating, arrogantly designating who should live Well then it happened—I bet you already guessed when I called the cursed blessed he sank his fangs into my chest and through my shirt and put his venom in the veins As I was dying, I thought it rather fitting that my heart produced the pity and that’s the spot the snake bit me and I know nature doesn’t want changed Well I should have compromised—I didn’t realize the demon at my doorstep But with one slash of Sheol’s knife, he cut down the tree of life And stacked the wood for kindling and the laughter that I’m sure will follow after this life
5.
Indiana 07:17
From the salvage yard, there are two black dogs who run through the post-harvest fields of winter wheat as stalks running on last legs From the GM plant and the empty storefronts’ lull all the finches, quick, are undressed inside their song of a sad place to love Well the houses are matchsticks after everyone left but the soil is good and we’re not dead yet Open up the motorbike/burning down the turnpike Perfect lines, effortless Keep me in your hidden thoughts/where every road that ever crossed had council held with the snow/resting easy—this is home 
This is home With the husk of Delco heavy in the loom will there always be as many empty rooms or eyes?
6.
I, insistent, follow blindly on the buckle of the Bible belt with a two-bit axe in my pack, and my baby boy on my back as I track you on the mountain It’s not the first time we met “Light a fire,” he said, “Send your boy out to destroy the saplings, gathering sticks. ”
Well I spit and I cuss because I have issues with trust “But I might as well avoid the hellfire I can control,” I told myself. So I raised a cairn in honor and I scanned the sky for Gabriel and I made your sign with oil on his head and wept You snatched the knife from my fist and checked me off of your list “It was a test, you’re highly blessed and I am proud that you passed,” 
Well you judge the dead and the quick but that was awful and sick to flicker like a candle, I am not a man that gambles What if no ram came?
7.
Decalogue 03:28
Emma, I wish you weren’t married Emma, I’m sorry that I brought it up and put you in an uncomfortable situation now the boy you love will almost certainly not be my friend Emma, I wish you weren’t married It’s a dilemma existing only in my psychic glade the record is an example of your contentment and I’ve got nothing on your husband ‘cause he’s also in a rock band I’m sure you’re happy, and you don’t think of me and that’s right But I never had lucid dreams before I met you and I still don’t, technically, but on a parallel continuum, I’m sure I met you years ago because I can imagine with such clarity you letting me hold your hand Well I’m sure you’re pissed— you didn’t ask for this and I’m sorry, Emma
8.
Telekinesis 03:49
Witches never look like witches do in your mind’s eye and when blackbirds peck out your green eyes, I won’t be able to act surprised Well I wish I knew a way out, but the woods are closing in on you and your coven is all around, and I’m stuck holding the matchbook now Your veil is frost-soaked and shining as it skirts your low neckline Put it off, my offbeat acolyte— when you die, do it beside me The left wing has been clipped like a shrub and the right wing is on designer drugs But don’t mind me—I’m just a man who began to suspect he was made out of glass Your veil is frost-soaked and shining as it skirts your low neckline Put it off, my offbeat acolyte— when you die, do it beside me
9.
Strung along, careless fires and the vertebrate of fences Loft of a ruined choir and the counterpoint of vague assemblies In a copse of birch trees I dream of Iceland and drink the snowmelt Avalanches, slick as sharks in the fossil record In Colorado bliss of Christmas lights and air travel In a copse of birch trees I dream of Iceland and drink the snowmelt So, brother, pour me a drink and watch for eyes beyond the fire ring
10.
Back in high school, my dad took me out in the pine scrub with a rifle and I bagged one with a bruised shoulder and I couldn’t eat and in my mind I’m still covered in deer blood

about

Indianapolis-based folk collective Joshua Powell & the Great Train Robbery released Alyosha, their third full-length record in October 2015. It was produced by Jonathan Class at Varsity Recording Co. in Anderson, IN, and encapsulates the group’s tonal shift, from the rustic Appalachian Americana of Man Is Born for Trouble, to a new, psychedelically-tinged, deeply textural electric brand of avant-garde folk.

After playing 400+ shows across 40+ states, Powell had plenty of experiences to funnel into the creative process of making Alyosha. Abandoning the traditional folk trappings of the band’s previous material, he sought to put aside the fans’ expectations in favor of making the record he wanted to hear. This was expressed through experimentation with electric guitars, effect chains, and keyboard sounds, but also in Powell’s vocal delivery, which is at its most unaffected and lucid. The lyrics, as ever, are central to the work and cover a variety of themes: from controversial drone politics and Hoosier post-industrialism, to Aesopian fables and witch trials. Eleven Magazine praises its “allegorical heft” and “beautiful bleakness.”

credits

released October 14, 2015

All songs written and recorded by Joshua Powell

Joshua Powell - guitars, vocals
Jacob Powell - drums
Jonathan Class - keyboards and auxiliary

additional guitars performed by Jason Barrows
horns by Luke Stafford and CJ Lukas

Produced by Jonathan Class at Varsity Recording Co. in Anderson, IN
Engineering by Alex Dobbert

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Joshua Powell Indianapolis, Indiana

Joshua Powell is the exhausted wizard at the helm of IN's most haunted rock band. From his hardcore roots in the Floridian swamps and beyond the fever dream of his folk era, his literary lyrics dig for enlightenment in a surrealist muck. “Four LP's and over 900 shows later, the midwestern road dog's ever- evolving, transcendent style embraces hallucinatory metal and grimy psychedelia.” -Audiotree ... more

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